Between States of Being

My Art is rooted in the quiet tensions that shape the human experience: division and connection, silence and expression, displacement and belonging. Across many series, I return to the emotional landscapes that rise in the aftermath of rupture, whether personal, cultural, or collective. These are not only reflections of the world around me, but of the world within: the memories I carry, the fractures I have witnessed, and the longing that continues to move through them.

Each piece becomes a quiet act of witness: solitude, resilience, grief, and tenderness. Whether tracing the ache of isolation or the fragile hope of reconnection, I seek to create a space where truths are not spoken but felt. My work is less about resolution than resonance, a language of echoes, fragments, and silences that point toward what lies unseen. In this way, each image becomes a thread, tying together cultures, people, and the selves we lose and rediscover along the way.

At the heart of my practice lies the tension between revelation and concealment. I am drawn to thresholds where clarity falters into obscurity, where form fragments yet still beats with persistence. These in-between spaces, between strength and fragility, silence and expression, are where my images take shape.

I see art as a continuum of tools and languages, each one bound by the same desire: to translate the intangible. Just as past generations turned to pigment or optics to expand their vision, I work across oil, paper, photography, tablet, and algorithm. Whether rooted in brushstroke, texture, or code, these instruments serve a single aim: the search for resonance.

Each piece unfolds slowly, through layering, erasure, and return, until the image mirrors something within me: a memory, a fracture, a fleeting recognition. What results is never an answer but an opening, an echo the viewer may find their own truth within.